Still reviewing mughams. This is the first part of Şur - bardəşt.
I would really like someone to explain how this mugham works. It seems to be playing around two note variations - F natural and F sharp (Fa bekar and Fa diyaz) and B and B flat (Si and Si bemol). And obviously it has some parts that are parts in other mughams and these follow the same basic patterns but start from different notes.
But other than that, what the heck is going on? Can someone please explain it to me?
Here goes. I will try to post the rest soon.
I would really like someone to explain how this mugham works. It seems to be playing around two note variations - F natural and F sharp (Fa bekar and Fa diyaz) and B and B flat (Si and Si bemol). And obviously it has some parts that are parts in other mughams and these follow the same basic patterns but start from different notes.
But other than that, what the heck is going on? Can someone please explain it to me?
Here goes. I will try to post the rest soon.
6 comments:
Hello! Excuse me I am azerbaijanian but I do not know.
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Thanks
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Your exploration of Şur mugham is fascinating! The way you described the interplay between F natural and F sharp, as well as B and B flat, really highlights the complexity and beauty of this traditional music. It’s intriguing how these variations create such rich, emotive sounds. Your dedication to understanding the nuances and patterns of mugham is truly commendable. I can’t wait to see the rest of your analysis and learn more about this captivating genre. Keep up the great work, and thank you for sharing your insights!
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